Like the SPL TD Plus, it actually has a built-in limiter as well so you can really drive the signal hard without clipping.
That’s it, that’s all, and you’re off to all sorts of envelope shaping goodness. The Transient Master by Native Instruments, based on a ‘studio favorite’ (ahem, TD4), is one of the most straightforward plugins available. The transient tool has 3 global modes and 3 contour shapes for precise control over the attack and sustain of any signal. These include EQ, compression, a gate, an exciter, and of course, a transient designer. IZotope’s Neutron 3 plugin is actually a suite of different modules. SEE ALSO: Oeksound Spiff Review: A New Generation of Transient Shaper.Or you can use it to reduce excessive mouth noise at a particular frequency in a vocal. You can enhance the attack of super specific frequencies, to bring up the bite and punch of a snare, for instance. It’s an EQ-specific transient designer, which means you can cut and boost transients with more precision than other plugins. Spiff | OeksoundĪs is expected with Oeksound plugins, Spiff is a unique take on traditional transient shaping. Modeling a single channel of the TD4, the SPL TD Plus plugin incorporates original transient shaper sound with useful digital revisions, including a sidechain filter, parallel processing, and even a limiter to prevent digital clipping. SPL Transient Designer Plus | Brainworx/Plugin Allianceīrainworx collaborated with SPL to produce the best plugin emulation of the definitive (and first ever!) transient shaper. In that regard they’re way more advanced and flexible than hardware, and some are even frequency-specific. Plugins can get away with additional features in the software world, though, such as wet/dry mix controls, sidechain filters, and lots more. The very first hardware transient designer-the SPL TD4, designed by Ruben Tilgner and released in 1998-included 4 channels with only Attack and Sustain controls.
Some transient shaper plugins are pretty simple in layout, including just Attack, Sustain, and a Gain control. Transient designers can sharpen a signal’s punch, and even minimize mic bleed or room tone. Transient shapers (also called ‘designers’) can increase or decrease the attack, and lengthen or shorten the sustain. Unlike a compressor, they do not affect the level or the entire envelope of a sound. A transient shaper lets you control the attack and sustain of a signal.
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